Frecuently you will have a drawing made of brush-artwork (with changes of width in the strokes): in that case, before you enter Live Paint mode, you should Outline If you watched Angie Taylor's video, you should know by now that when you enter Live-Paint mode you will loose previously applied Appearance-settings, Like Brushes, live-effects. The Live Paint Bucket Tool can be used to create new shapes based on the empty spaces between intersecting paths, and in this lesson you will learn how.
In the preview you will see what gaps is overcoming with a tiny bar, in the color you define. To define the size of gaps that Illustrator will allow in order to establish a Fill you can open the Gap Options Dialog box, You can enter Live-Paint mode by first selecting the complete artwork, then choosing: OBJECTOR double-click on the tool icon to show the Options window for the tool, change the preferences there to show the stroke-tool for the Live-paint tool also (de-activated by default, Right: Paint strokes). It is a different way of working in Illustrator customized towards people that have a background in Drawing & Sketching: it allows you to colorize "open shapes" and groups of lines, that other wise will be impossible to colorize. The Live Paint tool is covered at the end of Chapter 6, pages 206 to 208.
Live paint bucket how to#
Video Tutorial: How to create a pattern to be appplied as a brush stroke. Using Pattern brushes is covered in Chapter 11 of your book, (p.334-339). Video: Pattern in the context of graphic design Video Tutorial: Patterns in th context of Illustration Live Paint Bucket is a powerful tool that gives you the ability to apply color attributes to shapes based on their appearance, not based on the way they were actually built. It will take you to the Pattern Dialog box. You can come up with any type of tile-artwork (something interesting to repeat), with it selected go to menu OBJECT>Pattern>Make That will be covered in a future tutorial.Painting with patterns is covered at the end of Chapter 6 in your book (p. The drawing can be further refined by adding arrows or text to illustrate different features of the building, and more photo-real scenery or structure elements can be added in via Photoshop, as seen below. Below are some examples using this technique.Ī section with a grey toned for the cut area.Ī higher detailed section to imply materials and depth. And since we have all of the linework in the layer above, the thickness, stroke type, or color can easily be adjusted to enhance the drawing. I will usually paint the area being cut through in my drawings a light grey to improve the readability, but any color or pattern can be used. Now click on the live paint bucket and paint away (Shortcut: K). Optional: Lock the layer to ensure none of the lines are accidentally moved while live painting the group below. Set the visibility of the original linework layer to on. The best way I found to do this is by double clicking the live paint group to isolate the objects, select all of the lines, and then set the line color to none. That’s all good and done, but since we’re using another layer for the linework which we may be editing layer, it’s best to hide the lines in the live paint group. Go up to the object menu > live paint > make.
Turn off the layer with the original linework and then select everything that is left on the artboard (the lines for the live paint group). One with all the original linework, and a second to be used to make a live paint group. The image to the right shows how I have my layers set up. But since we want to be able to edit the linework later, we’ll make a copy to use for our live paint group. The first step is to make a live paint group out of the linework of the drawing.
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